The grid steel structure can be widely used in large space buildings such as theaters, stadiums, exhibition halls, and hangars. It has the advantages of simple force transmission, light weight, high rigidity, good seismic performance, easy installation, and flexible layout. 2004: 143.Steel grid structure is formed by connecting multiple rods through nodes in a certain grid form. Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students.NY: Princeton Architectural Press. Grid Systems: Principles of Organizing Type. Archeological pre-historic human cliff drawing over 4000 years ago, Nakhonratchasima, Thailand, iStockPhoto, 2010.More images from this manuscript can also be found there. Throughout the next few centuries his depictions of multi-headed beasts, decapitated sinners, and trumpet blowing angels, would be copied over and over again in various versions of the manuscript.” John Williams, author of The Illustrated Beatus, explores more in his article for The Public Domain Review, “Beatus of Liébana.” accessed September 4, 2020. “In the 8th century, in a monastery in northern Spain, 700 years after the Book of Revelation was written, a monk named Beatus illustrated a collection of writings he had compiled about this most vivid and apocalyptic of the New Testament books. But grids are a useful tool to understand and use. Many cultures and present-day designers do not use grids in shaping their pages, and those pages would still make it into the halls of the good-page archives. Grid from Ellen Lupton’s Thinking with Type 6 Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students, 2004:143.Īll this is not to say that in order to lay out a good page, one must follow a grid structure. It was clear also that different people had different preferences for good page layouts. How did this happen? Intuition? Gut instinct about where to place a shape? Tradition? Did we all agree on what made a page “good” or not? Were there some grids that some believed should not make it into the “good page” category at all? And if so, what was it about them that got them relegated to the ‘not-a-good-page’ pile?ĭefining a “good page” for us became less like a biochemist’s pursuit of a new vaccine and more like a knight’s quest, where the knight gets sidetracked and forgets the quest with the discovery of new wonderful things, equally as desirable as the original sought-for object. Three Grids with Instinctive Placement of 6-7 shapesĪlthough more than a few participants had said they had no visual talent, and only one admitted to some formal design training, when we put all the grids up on the wall, almost every grid layout was appealing and interesting in some way. We were going to think about how a “page” looks, irrespective of any word content and to see if it was obvious -those principles of design that according to Bringhurst cut across cultures and generations. The only direction was to place these colored shapes in some arrangement on the grid in a way that worked for the arranger. Memory in Disguiseīefore showing examples of page layouts based on grid systems, I gave each person six or seven shapes (one circle and some oddly rectangular shapes) of colored paper and one sheet of paper with a grid of nine squares. Robert Bringhurst 1 The Elements of Typographic Style, version 3.2, 2008:10. The principles that unite these different schools of design are based on the structure and scale of the human body-the eye, the hand, and the forearm in particular-and on the invisible but no less real, no less demanding and no less sensuous anatomy of the human mind. Writing systems vary, but a good page is not hard to recognize, whether it comes from Tang Dynasty China, the Egyptian New Kingdom or Renaissance Italy.
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